The Experts
- Philippe Ros AFC, Director of photography and Digital Imaging Supervisor, France
Philippe Ros is specialized in hand held camera and ergonomics issues. He is fully acquainted with the digital shooting systems and the postproduction workflows linked to them. Recently, he was Digital Imaging Director during five years on Oceans, film directed by Jacques Perrin and Jacques Cluzaud. His goal was to match underwater HD shots and 35 mm topside shots.
He was also DoP on underwater nights, tanks and microscope shooting on Oceans. He was Digital Imaging Supervisor on Home directed by Yann Arthus-Bertrand. For television, he was the cinematographer of the first five seasons of the series Kaamelott, directed by Alexandre Astier.
He is a member of :
– AFC, French Association of directors of Photography
– The Imago Technical Committee (European Federation of Cinematographers)
– UP3D, French association of 3D specialists. - Tommaso Vergallo, director digital cinema department, Digimage Cinema, France.
For years he has been production manager in digital laboratories like Swiss Effects (Switzerland), Duboi (France), Quinta Industries (France) and Digimage. He has been involved in the postproduction of movies like Le fabuleux destin d'Amélie Poulain by Jean-Pierre Jeunet, Yes by Sally Potter or Home by Yann Arthus-Bertrand. - Ruedi Schick, Founder and CEO, Swiss Effects (1985), Switzerland, worked on many Swiss and international film productions.
- Wolf Bosse, Stereoscopic supervisor on PINA! – 3D by Wim Wenders, and worked on the post-production of many movies such as Life, Above All by Oliver Schmitz and Same Same but Different by Detlef Buck.
- General moderator
- Martin Hagemann, producer, zero fiction film, Germany
(The Turin Horse by Béla Tarr, The Children of Huang Shi by Roger Spottiswoode, Fay Grimm and Flirt by Hal Hartley, Moloch and Father and Son by Aleksandr Sokurov, etc.)
Proposed by
with the support of
affiliated programmes
