PRODUCTION VALUE
The European Scheduling & Budgeting Workshop
Why Production Value?
What is Production Value?
The Production Value Tutors
The Production Value Partners
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Production Value is supported by MEDIA.
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The following four partners develop and produce Production Value:
FOCAL (Lausanne, Switzerland)
is dedicated to professional training in cinema and audiovisual media and has been monitored by the industry for over fifteen years. Its program is conceived and designed to complement and enhance a practice-oriented, life-long learning process. FOCAL operates nationally and internationally. The quality of its programme and lecturers attracts participants from around the world. Successful collaboration with European institutions and partners in the profession plays an important role in networking for film and audiovisual professionals.
Norwegian Film Institute (Oslo, Norway)
administers government financial support and other support mechanisms for the development, production and distribution of Norwegian audiovisual productions. The Institute is the national centre for the development of talent and ideas in the Norwegian film, television and games industry and is working actively to promote film culture and the Norwegian film heritage among a wide audience. The Norwegian Film Institute comprises departments for Development and Support, Promotion and General Public Affairs, as well as Administration and Information.
Österreiches Film Institut (Vienna, Austria)
The Austrian Film Institute was established 1981 in order to provide comprehensive funding for the Austrian film industry in its cultural and economic aspects as well as to further develop the traditions of Austrian film. Based on the Film Subsidies Act ("Filmförderungsgesetz"), the Film Institute is a legal entity under Public Law and its registered office is located in Vienna.
Swedish Film Institute (Stockholm, Sweden)
The Swedish Film Institute is a foundation that was founded in 1963 by the Swedish state and the various professional bodies of the film industry. Its remit – to support the production of new films, the distribution and screening of worthwhile films, to preserve and promote Sweden's film heritage and to represent Swedish film at an international level – is defined in the Film Agreement and in the annual document of grant appropriations from the Ministry of Culture. The Film Institute is financed by a combination of state funding and the Film Agreement, which stipulates a ten percent levy on cinema admission charges. The current organisation, effective from November 2008, is divided into five departments: Production & Development, Audience & Promotion, Film Heritage, Administration and Communications.
The 2007 – 2008 – 2009 – 2010 Editions of Production Value were also coproduced by the Erich Pommer Institut (EPI) (Berlin, Germany)
EPI provides practice-oriented research, academic teaching, industry training and media consultation. The Erich Pommer Institut consistently applies the latest observations and findings from the film, TV and music industries to a wide spectrum of fields. These include issues of media law (e.g. copyright or licensing law) and media economy (e.g. film financing or the trade in TV formats) as well as, for instance, the legal and economic aspects involved in media convergence.
The 2007 Edition of Production Value was also coproduced by The National Film and Television School (Beaconsfield, UK).
Production Value has established a close collaboration with the following European professionnal organizations:
- France: AFAR – Association of Assistant-Directors www.afar-cinema.com (in FR/EN/E)
- Netherlands: ADC – Assistant Directors Club www.assistantdirectors.nl (in Dutch)
- Spain: APPA – Association of Audiovisual Production Professionnals www.asociacionappa.es (in E)
- Italy: APE – Association of Production Service Companies and Line Producers www.ape-italy.com (in IT/EN)
Are you a Junior Assistant-Director?
Are you a Junior Line Producer?
Are you a Producer with a Project to Schedule & Budget?
→ Applying to Production Value 2011 — Open on August 1, 2010
Production Value 2009 Making-Of
Production Value 2008 Making-Of
Production Value 2007 Making-Of
Working Conditions for Filming in Other Countries
Are you a Former Participant or Tutor of Production Value?
with the support of
