The Programme

Thursday 15 to Saturday 17 November 2012, Paris (France)

Preliminary Programme

15 NovemberAt hotel, Paris
12.00 — 13.30 Lunch
13.30 — 13.50 Introduction
13.50 — 14.15 Presentation of participants
14.15 — 15.30 Pitch of selected participants’ projects
with the following perspectives
  • Formats and processes, tests to be made
  • Organization, planning and costs
  • Promotion and distribution
15.30 — 15.45 Break
15.45 — 15.55 10 Key Words to become familiar with the digital workflows
15.55 — 16.45 The New Workflows
16.45 — 17.30 Participants’ projects: identification of the different Workflows and Challenges (projects will be grouped by type of workflow)
17.30 — 17.45 Break
17.45 — 18.15 Focus: New working methods for technicians in the workflow, advantages and issues
18.15 — 19.15 Group discussions or individual meetings for participants with projects
20.15 Welcome Dinner
16 November
8.45 — 9.15 Public transportation from hotel to conference centre
Case Study 1
9.15 — 10.15 200'000 € to 1 mio € budgets
Everyone’s a filmmaker? Shooting with DSLR cameras – fix it in post?
Low-cost cameras with 35mm objectives
10.15 — 10.45 Focus: file-based systems and back-ups
10.45 — 11.15 Break
Case Study 2
11.15 — 12.15 Around 2 mio € budgets
A project shot with ARRI Alexa
12.15 — 12.45 Focus: Several workflows with Alexa
12.45 — 14.00 Lunch
14.00 — 15.15 Panel discussion around the Decision Chain and the roles played by each key professional in the new workflows (including director, editor, DOP, post-production coordinator)
15.15 — 15.30 Break
15.30 — 17.00 Digitalisation and Distribution
17.00 — 17.15 Break
17.15 — 17.55 Focus: Looking at dailies: how to take control?
18.00 — 19.15 Group discussions or individual meetings for participants with projects
20.15 Dinner
17 NovemberAt hotel, Paris
9.00 — 10.30 Discussion and Conclusions on the different Workflows and Challenges: Review of participants’ projects
10.30 — 10.45 Break
10.45 — 11.45 From the digital cinema distribution master (DCDM) to the theater
  • Manufacturing Digital Cinema Package (DCP)
  • Security Inscription and Archiving
  • Logistics of digital distribution (transport, servers, licenses)
11.45 — 12.45 Digitalisation & Archiving
12.45 — 13.15 General Conclusions and Evaluation
13.15 — 14.30 Farewell Lunch at hotel

Programme subject to change.

The Participants & «What they say about it» The Benefits The Extra Zing The Experts The English – German – French Digital Cinema Glossary The Links The Partners Applying for Digital Production Challenge 2012 Making-of 2009 Making-of 2010 Contact

Proposed by

with the support of

affiliated programmes